Native Tongue Music Publishing

Native Tongue Music Publishing
Native Tongue is an independent music publisher, with offices in Australia and New Zealand.
Besides acquiring rights to local writers, we also administer the works of overseas writers and catalogues for Australia and New Zealand.

Established in 2003, Native Tongue has built a respected catalogue of local writers. We set out to provide writers with a publishing company dedicated to assisting with the development of their skills as songwriters and composers throughout their careers.

Although we are a small company, we see this is one of our major advantages. It enables us to be far more proactive than our competitors and react quickly to the needs of our clients, whether they be film and television companies, commercial advertisers or the bands of which our writers are members.

We see our role as getting out there and getting things done, working with the band, the management, the record label and the distributor to make things happen.

Our job is to work with you to help you achieve your goals, as a songwriter and in many cases; an artist. We have a broad network of contacts we can utilise in all areas of the business – record companies, distributors, booking agents, promoters, publicists, radio, etc.

We will work with you, your management and record distributor to maximise sales of your record. You probably have most bases covered but there will always be something we can do to help squeeze those extra sales. It may be that we help a band get on a festival bill, provide advice on obtaining touring grants or come up with that song opportunity in a film that breaks through at the box office – who knows – it's an ephemeral business and its not always easy pinning down where things will come from.

If you are looking to place songs with other artists we have a worldwide network of contacts who work songs on that basis. If you want to co-write we will work with you to develop connections with writers you want to work with. If you want to compose film or television scores we are ideally placed to help you realise these ambitions.

We get out there and do the hard yards wherever it is required.

We have over the years developed publishing relationships internationally and through our music supervision business have come to know those companies who work particularly hard gaining sync licenses and pursuing the ancillary income that is available around the world. We have also established a network of international sub-publishers to administer our works around the world. In each case our sub-publishers are established independents with a long term track record of working within their own territory.

Native Tongue also enjoys strong relationships with all the major US, UK, Canadian and European music supervisors and can submit clients works for use in a wide range of projects around the world.

We are also one of the only publishers with offices and staff on the ground in Australia and New Zealand enabling us to fully represent your copyrights in the key markets in our home territory.

Native Tongue is closely associated with Mana Music which is the major music supervisor for feature films, television series, and documentaries in Australia and New Zealand. As a result Native Tongue is in a strong position to place its writer's songs in the wide range of projects.

A similar situation applies in respect to television commercials where once again Mana Music is the major provider of licensing services to the advertising agencies.

CONTACT DETAILS

Australia
+61 3 9445 0500

PO Box 1570
Collingwood, VIC 3066
Australia

Chris Gough - Managing Director
chris@nativetongue.com.au

Matt Tanner - A&R / Creative Manager
matt@nativetongue.com.au

David Nash - Copyright & Royalties Manager
david@nativetongue.com.au

Kate Mills - Licensing & Admin Assistant
kate@nativetongue.com.au

New Zealand
+64 9 378 9667

Po Box 8926
Symonds Street, Auckland 1150
New Zealand

Jan Hellriegel - General Manager
jan@nativetongue.co.nz


United Kingdom

Jaime Gough - International Manager
jaime@nativetongue.com.au
Tin Sparrow

Tin Sparrow

Who would have guessed that an overdue University assignment, a common appreciation of Ennio Moriccone and a love of excessive television quotes would be the catalyst for one of Australia's most promising indie bands forming?

For Sydney four-piece Tin Sparrow, such unlikely circumstances have been identified as the key elements that lead to Matt Amery, Dean McLeod, Sonja Van Hummel and Mark Piccles getting together.

While Matt and Mark grew up playing in bands together during their formative years, it wasn't until Matt began studying music at Macquarie University (the same institution that birthed fellow alumni Boy and Bear and Art vs Science), that he met Dean and Sonja and Tin Sparrow was formed.

A few collaborative university assignments later and in July 2010, the four-piece found themselves recording at Dragon Fly Studios with producer Dann Hume (Evermore), emerging three days later with their debut EP 'From The Sun'. "From The Sun' is a mix of everything that was going on with us at the time. It's a wash of dry guitars, glocks, mandolins and huge harmonies," says frontman, Matt.

Lead single 'Fools Gold' is indie pop at its best. Think lilting guitars and sweet harmonies, married with lyrics based on a bogus contract Matt was given at the start of his career. "At the time I thought it was "gold", but after getting legal advice, it turned out it wasn't so crash hot."

Follow-up single 'For You' is a song Matt wrote as a gift for his girlfriend. "I didn't have enough money to buy her a present for her 21st birthday so I wrote a song for her instead. The song is about everything I was feeling at the time, one of my earlier attempts at writing a song for her."

Such harmony-driven tunes combined with an incendiary live show, have propelled Tin Sparrow into the spotlight over the last six months. 'From The Sun', received across the board accolades upon release, including a much-revered 'Unsigned Artist of The Week' nod from Sydney tastemakers FBi radio and strong support from national youth radio network Triple J.

The launch of 'From The Sun' sold out at the pre-sale stage, resulting in a flood of people haplessly trying to get into an at-capacity venue. From there they quickly secured slots on the Australian festival circuit and were recently invited to join fellow Aussie buzz-band Husky, on their national tour.

To record their second EP, Tin Sparrow ventured north to the tropical surrounds of Cairns, to work with Mark Myers from the recently disbanded The Middle East. "Hector Myola", the first single to be taken from this forthcoming EP (due for release in early 2012), continues along the spaghetti-Western path they successfully traversed with previous single "Fool's Gold."

"Hector Myola was written name first," explains Matt Amery. "I really like how it rolls of the tongue, it immediately takes you to a Mexican landscape, so it was a great start to the song."

The track opens with a sultry slide guitar and tremolo peels that wouldn't sound out of place on a track from The Band or on one of Neil Young's more countrified wanderings. The sparse instrumentation and rich harmonies enhance the inherent loneliness that has long been a staple of this style of music. It's sinewy and sinister and hints at a sense of foreboding that isn't implicitly spelled out by the lyrics.

This mindset shows the pace the band is moving at. With a second EP out in a few months, and a slew of festival slots and support shows filling the time between now and then, things are only going to keep hurtling along. One listen to the swaggering "Hector Myola" makes it clear that Tin Sparrow are more than mere Fool's Gold.